Unplugged is the Best-of-Programme of the multi-instrumental duo Anna Lang & Alois Eberl. Unamplified, authentic, intensive,fiery and virtuose - both artists present the best from their countless Duo projects.

In their own compositions, Anna Lang and Alois Eberl allow their passion for driving rhythms and improvisation to be set free, fluctuating, as they conjure their way through the entire classical sound spectrum on the stage and switch between cello, piano, trombone, euphonium, vocals and accordian.

Their enthusiasm for folklore music is expressed not only in their own compositions but also heard in the works of the Spanish musician Manuel De Fallas or Gaspar Cassado. The main emphasis of the programme, Unplugged, is the Worldmusic Element. Beginning with Cassado's Suite for Cello Solo, it continues with De Fallas' Suite Populaire Espagnole, then on to the moody tangos of their own works. In the pieces named Ganchos, Occhi della Note, The Colours of a blue Picture, African Suite or the ballad, Listen Darling, the musicians create large tone pictures, paired with pulsing grooves and unique interaction.

„Roisterous Revelry” - La Folia - „roisterous revelry and boisterous exuberance“ is promised by the WoodAirQuartet comprised of Anna Lang – Violoncello, Alois Eberl – Accordion/Tombone, Walter Singer – Basso Continuo and Robert Kainar – Percussion.

La Folia, a music and dance style from the Renaissance and Baroque eras, is elevated into the 21^st century. The sounds of virtuosic works from the 17th and 18th centuries by D. Ortiz, A.M. Y Coll and M. Marais, as well as original compositions and improvisations, adapt the character traits and phrasing of La Folia. The concept of Folia („craziness or folly“) originates from Portugal and denotes not only a musical technique of variations but also dances and songs of the 16th century with Spanish and Portuguese sources. But beware! In the early beginnings, the Folia dances were banned due to their unbridled character. Johann Matheson: Der vollkommene Kapellmeister („the complete Music Director“), Hamburg 1739...“what is known as Folies d'Espagne, is nothing but foolishness, quite frankly.“

"Chamber Jazz at its finest" (Concerto Magazine). Four musicians – aight instruments as well as being endlessly keen to experiment and demonstrate versatility – these are the trademarks of the Chamber Jazz Quartet, PianoForteBrass. Through their original compositions comprised of sounds from jazz, improvised music and classical chamber music, the musicians transform chamber music -- an ensemble becomes a jazz band, and a salon orchestra mutates into a mini-brass band. Multi-facetted instrumentations and a virtuosic command of their instruments provide a rarely heard diversity of sounds and unexpected surprises!